Southwestern Pennsylvania has always been a crossroads of cultures. Nowhere is this more evident than in the holiday season, when old-world customs light up homes, churches, and community halls across Washington and Fayette counties. From Italian Christmas Eve feasts to Orthodox Holy Suppers and Hanukkah celebrations, the region’s holiday season reflects the diversity of its immigrant roots even if they are not as prevalent today. Here are just a few dinners celebrated in local newspapers from late 1800’s to the 1950’s.

Jewish Communities and Hanukkah Latkes

In Connellsville, PA Jewish families gathered at the B’nai Brith Synagogue at 412 North Pittsburgh Street for Hanukkah programs celebrating light and resilience. The once church was converted for synagogue use in 1910. Starting in 1911 the town of Donora, PA also had The Onav Sholom Synagogue at 2^nd St. and Thompson Ave. As reported in The Daily Courier (Dec. 24, 1932), their festivities marked both faith and community spirit.

By mid-century, The Evening Standard in Uniontown featured recipes for potato latkes, a time-honored dish fried in oil to commemorate the miracle of the Maccabees. See the full recipe below.

While most synagogues in the region have closed, some buildings remain. By the late 20^th century, the B’nai Brith Synagogue building reverted back to church use and the Onav Sholom Synagogue currently houses the Mon Valley Youth & Teen Association, Inc.

Italian-American Christmas Eve Fishes

In the region’s mill towns, coal patches, and larger cities, Roman Catholic Italian families preserved the Feast of the Seven Fishes. The Daily Notes (Canonsburg, Dec. 23, 1931) described families gathering around elaborate Christmas Eve tables filled with fish before attending midnight Mass. After returning home, punch and cake were served before a late morning of rest. For many families, the rhythm of worship, food, and fellowship mirrored the holiday cycles their ancestors observed in southern Italy.

Numerous Roman Catholic churches survive throughout Southwest PA. In the heyday of immigration into the region, many churches were established for the new arrivals with masses typical given in native languages.

St. Therese Church on Mill St. in Uniontown was established in the 1930s for the growing Italian population. In fact, a new church was constructed in the 1960s to accommodate more parishioners and remains active. 

Ukrainian Orthodox Holy Supper

Orthodox communities across Fayette and Washington counties follow the Julian Calendar, celebrating Christmas on January 7. The Daily Herald (Jan. 4, 1946) noted that Orthodox Christians observe the day with a Holy Supper of twelve meatless dishes, which symbolize the twelve Apostles, featuring borsch, cabbage rolls, fish, and kutya, a sweet grain pudding.

In Ukrainian households, throwing a spoonful of kutya at the ceiling was a way to divine the year’s fortune: if it stuck, happiness would follow, but maybe not for those who were on clean-up duty!

The region’s Orthodox culture continues in several active parishes, including 

• Holy Trinity Orthodox Church in New Salem 
• Holy Trinity Church in Charleroi
• St. Nicholas Orthodox Church in Donora
• Nativity of the Virgin Mary Church in Monongahela
• Holy Resurrection Church in West Brownsville 
• Holy Resurrection Orthodox Church in Belle Vernon
• St. John the Baptist Orthodox Church in Canonsburg

Old-World European Pies & Puddings

Even before the great immigrant waves of the early 1900s, local newspapers like The Daily Herald (Dec. 21, 1881) chronicled European folk customs that influenced regional celebrations. From German Christmas trees and Yule logs to the Bohemian ritual of shaking fruit trees for good harvests, these traditions emphasized nature’s renewal and divine generosity.

The Monongahela Valley Republican (Dec. 25, 1873) noted churches decorated altars with ivy and holly, and English-style Christmas dinners featured plum pudding and Yorkshire pie, carrying the festive spirit across oceans and generations.

Threads of Light and Memory

Across a century of clippings, recipes, and remembrances, the story of Washington and Fayette counties during yearend festivities is one of continuity and adaptation. Jewish, Italian, Slavic, and Anglo traditions intertwined here, each adding flavor to the regional mosaic. Whether lighting a menorah in Uniontown, launching kutya in Monongahela, or frying eel in Canonsburg, families kept the lights of their ancestors burning bright, illuminating the Pennsylvania winter with faith, food, and family.

What traditions do your family follow? Are any tied to specific ethnic histories?

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Potato Latke Recipe

Yield: 12 Latkes, serves 6

Ingredients:
2 pounds of Russet potatoes, peeled
1 small onion
4 eggs
1 cup flour
1 teaspoon baking powder
2 teaspoons salt
Vegetable oil for frying

Instructions:

1. Grate peeled potatoes and onion using a box grater. Place grated potatoes and onion in a colander and press to remove excess liquid.
2. Add drained potatoes and onion to a large mixing bowl. Add the remaining ingredients and mix well.
3. Cover surface of frying pan with oil and heat until hot. Add latke batter (about 4 inches in diameter) and fry. When golden brown, flip latkes over to brown on the other side. 
4. Place finished latkes on a paper towel lined surface to absorb excess oil. Fry remaining latkes. Serve warm.

Learn how you can use federal and state historic tax credits to support your historic building rehabilitation project, with Angelique Bamberg. (28mins)

What is a historic tax credit? 

A Historic Tax Credit or (HTC) is a federal or state tax incentive that encourages private investment in the rehabilitation of historic buildings for income-producing use. The federal program provides a 20% federal tax credit administered by the National Parks Service and the Internal Revenue Service. Pennsylvania (like many other states) also has a state HTC that can be combined with the federal HTC. Both programs require similar application processes and requirements. 

Who is this video for? 

• Non-profit and For-profit Leaders
• Developers
• Business Owners
• Property Owners
• Heritage stewards looking to preserve structures

What you’ll learn

• An introduction to the federal and PA’s Historic Preservation Tax Credit programs
• Benefits to property owners and developers 
• Application process for Federal and PA tax credits
• Tips for a smooth application process

About Angelique Bamberg

Angelique Bamberg, Founder of Clio Consulting, LLC,is an independent consultant specializing in city planning and historic preservation and an instructor in the Department of the History of Art and Architecture at the University of Pittsburgh.

View Angelique’s slides for a more in depth review.

Additional Resources

❖NPS Tax Incentives for Preserving Historic Properties
❖PA Historic Preservation Tax Credit
❖IRS Frequently Asked Questions
❖More info on QREs
❖Novogradac Historic Tax Credit Resource Center

This project was financed in part by a grant from the Community Conservation Partnerships Program, Pennsylvania Heritage Areas Program, under the administration of the Pennsylvania Department of Conservation and Natural Resources, Bureau of Recreation and Conservation.

Malcolm Parcell: The Wizard of Moon Lorn

Hidden among the hills near Prosperity, Washington County, Pennsylvania, stands a place that seems touched by enchantment. The cottage is called Moon Lorn, and for over sixty years it was home to Malcolm Parcell (1896–1987), one of western Pennsylvania’s most imaginative and quietly brilliant artists.

Moon Lorn wasn’t just Parcell’s home; it was the center of his world, a retreat for painting, dreaming, and turning imagination into art. The man and his home became so intertwined that locals came to call him “The Wizard of Moon Lorn.”

Malcolm Parcell’s Early Years in PA

Malcolm Parcell was born in 1896 in Claysville, Washington County, Pennsylvania, the youngest of three children of Rev. Stephen Lee Parcell, a Baptist minister, and Emma Lindsey Minor Parcell. The family moved to Washington, Pennsylvania, when Malcolm was six.

From an early age, Parcell showed an instinctive love for beauty and detail. He later reflected: “I realize now how inborn was my feeling for beauty. It leads to feelings of perfection… There is a strength in beauty that is the highest goal that man can achieve.”

Early Education and Career Start

In 1913, Parcell enrolled at the Carnegie Institute of Technology (now Carnegie Mellon University), where he studied under Arthur Watson Sparks and George Sotter, who were both noted American realist artists. He commuted daily from Washington to Pittsburgh by train and trolley, a 70-mile round trip journey. That discipline shaped both his work ethic and his grounded artistic vision.

Parcell’s early jobs included assisting on church murals for architect John T. Comes and designer Edward Trumbull. His first major success came in 1918 when he won first prize in the Associated Artists of Pittsburgh annual exhibition for Trinity Hall, a painting of an old military academy gate in Washington.

The Portrait that Made Malcolm Famous

In 1919, a portrait titled Louine changed everything. His subject, Helen Louine Gallagher, a Washington schoolteacher who became his model and later his wife, captivated viewers with her luminous presence. Sent to New York by a Pittsburgh art official, the painting won the Saltus Gold Medal for merit from the National Academy of Design.

This early triumph established Parcell’s reputation as a portraitist of rare sensitivity. He followed with major prizes from the Art Institute of Chicago, including the Logan Prize in 1924 for Jim McKee and the Harris Prize for Portrait of My Mother. By his late twenties, Parcell was showing in New York’s Macbeth Gallery and exhibiting regularly in the Carnegie International Exhibition. Between 1920 and 1950, he displayed 30 paintings over this 30-year span, an impressive feat for any American painter of his era.

Despite his growing fame, Parcell remained humble and rooted. He disliked the competitive gallery scene, once admitting, “I very seldom sent a work of mine to a competition. Someone else would always do it.”

Malcolm Returns Home

In the early 1920s, Parcell took advice from landscape painter J. Alden Weir, who told him: “Go back home — back to the source of your inspiration. Follow your own quest.”

Parcell did just that. He returned to Washington County and to a piece of land where he had played as a boy. The original structure was a simple log cabin, which he transformed into a rustic studio-home, part cabin, part cottage, surrounded by woodland and light.

He called it Moon Lorn, a name that evokes both solitude and wonder. The property became the heart of his creative life, a retreat from the noise of modernism that he found hollow. In 1964, he built an A-frame studio designed to capture northern light through a high clerestory window, the perfect illumination for his paintings.

The Wizard of Moon Lorn

“My work is not reality,” he once said, “but what you might call a halo around things, affecting scale and content. It’s not a reality anyone else would see.”

Parcell’s career was remarkably versatile. Though well known for portraits, he also painted landscapes, allegories, and what he called “mythologies” that he defined as mystical scenes featuring nudes, elves, and dreamlike creatures. He believed these works gave “form to legend” and reflected the inner life of his imagination.

He completed hundreds of commissioned portraits across the Midwest and East Coast, often traveling to cities like Chicago, Indianapolis, and New York to paint. Later in his career, he shifted to working from photographs, but always preferred live sittings, which he felt captured the true “construction” of a person.

The Cottage from Disrepair to AirBNB

Parcell lived at Moon Lorn until his death in 1987 at age 91, having spent more than six decades there. Afterward, the Malcolm Parcell Foundation purchased the property, hoping to preserve it as an artist’s retreat. The vision lasted about ten years before funding and upkeep faltered.

In the decades that followed, the property fell into severe disrepair. Vandals broke doors and windows, thieves stripped wiring and stained glass, and Moon Lorn became a ghost of its former self. In 2017, Preservation Pennsylvania included the property in its At Risk list of historic places in jeopardy of loss.

But like the light Parcell loved to paint, the story refused to fade.

In 2024, Farley and Ingrid Toothman, longtime admirers of Parcell’s work, purchased the property from Consol Energy. Judge Toothman, who had visited Parcell as a boy, led its restoration and revival, reopening Moon Lorn as an Airbnb and creative rental space for a way for new generations to experience the magic of the place that inspired so much art.

Malcolm’s philosophy that art surrounds life like “a halo around things” remains his most enduring legacy. And at Moon Lorn, beneath the shifting Pennsylvania light, that halo still seems to shine.

Where to See Malcolm’s Art

Today, Malcolm Parcell’s art can be found in the Carnegie Museum of Art, the Westmoreland Museum of American Art, the Citizens Library. His murals are still visible in western Pennsylvania, including Books Are Many Lives to Live in the Citizens Library (1965) and seven large-scale historical murals in the George Washington Hotel in Washington.

Listen to Moon Lorn

Get a feel for the atmosphere of Moon Lorn. Listen to our playlist inspired by the artist and his home.

References Consulted:

• Artist’s once ‘enchanted’ Prosperity home, studio has fallen into disrepair. (2016, October 16). Observer-Reporter.
• Chute, Eleanor. (2014, June 29). Auction helps fund restoration of ‘Louine’ painting donated to Pittsburgh Public Schools. Pittsburgh Post Gazette.
• Miller, Donald. Malcolm Parcell: Wizard of Moon Lorn. Carnegie Mellon University. Pittsburgh, PA. 1985.
• Moon Lorn selected for Preservation. (2017, February 6). Observer-Reporter.

Pennsylvania’s October Keystone: The Aster

As the hills along the National Road fade from green to gold, one small flower continues to hold the landscape together: the aster.

From sunlit meadows to roadside edges, native asters (members of the Symphyotrichum family) bloom when nearly everything else has gone to seed. Their violet, pink, and white petals catch the low autumn light, offering vital food to bees, butterflies, and migrating pollinators preparing for the long winter ahead.

In ecology, asters are known as keystone plants, species that support a remarkable number of other organisms. Dozens of native bee species rely on their late-season nectar, while their seeds feed goldfinches and other songbirds that linger through fall. Long after the blooms fade, asters’ roots help stabilize the soil and hold the memory of the meadow in place until spring’s return.

In a season of change, asters remind us that even the smallest blooms can sustain an entire community. Take a moment this month to notice them along trails and in field edges.. a quiet burst of resilience at the close of the growing year.

Keep an eye out for these special flowers this season.

Listen to Aster Season

Enjoy this playlist while you drive the quite autumn streets, or while you’re home watching the sunset on Pennsylvania hills.

In the rolling hills of Fayette County, Pennsylvania, a quiet experiment in community, cooperation, and dedication took shape during the depths of the Great Depression. 

Its name, Penn-Craft, was chosen to honor both William Penn and the land’s former owner, Isaiah Craft. But the name also reflected something deeper: the belief that ordinary people, through their own craft and effort, could build a better life.

Unlike many “back-to-the-land” homestead projects of the 1930s that were sponsored by the federal government, Penn-Craft was the vision of the American Friends Service Committee (AFSC), a private Quaker relief group known for its humanitarian work. Led by Clarence Pickett, the AFSC sought to prove that self-help and cooperation could succeed where bureaucracy often failed.

The goal was to give unemployed coal miners and their families a chance to rebuild their lives through home ownership, community, and shared labor. Penn-Craft would be a non-governmental living experiment in social and environmental reform.

The Residents

In 1937, the AFSC purchased the 200-acre Craft farm near Republic, Pennsylvania. Fifty families were carefully chosen to represent Fayette County’s ethnic diversity from hundreds of applicants. They were miners, laborers, and families displaced by the collapse of the coal and coke industries. To qualify, they had to prove not only need but also a willingness to work hard alongside their neighbors.

Each family received a modest loan of $2,000 to build their home, repayable over twenty years. In return, they contributed 2,750 hours of labor to build their own house and those of others. Using sandstone quarried nearby and salvaged brick from dismantled coke ovens, the homesteaders literally built their community from the land itself.

The Design

The architect, William Macy Stanton, had designed the Tennessee Valley Authority town of Norris and Cumberland Homesteads in Tennessee. His five different floorplans for Penn-Craft homes were practical yet charming: one-and-a-half-story stone cottages, solid and simple, each with a garden large enough to feed a family and to sell any surplus at the cooperative store. 

The Cooperative

More than a housing project, Penn-Craft was a community built on Quaker ideals. Residents formed the Penn-Craft Community Association, electing officers and running committees for farming, social life, and education. They opened a cooperative store, which later boasted the county’s first frozen-food locker plant, and a knitting mill that produced thousands of sweaters before World War II.

The AFSC encouraged self-governance and learning. Homesteaders attended classes in nutrition, childcare, and agriculture while children joined Scouts and clubs. The community published its own newsletter, The Penn-Craft, beginning in 1939. First Lady Eleanor Roosevelt visited that same year, praising the community’s efforts to rebuild dignity through work.

At first, the families combined subsistence farming with cooperative enterprises. The knitting mill, led by Louis Gallet, trained women and teens when the men returned to the mines during the war. By 1947, the factory employed nearly 100 people.

Penn-Craft Today

Penn-Craft grew again after the war with a second phase of homes built for returning veterans and the children of original settlers. The community adapted, but its cooperative spirit remained strong.

Listed on the National Register of Historic Places, Penn-Craft is more than a historic district, it’s a living testament to what can happen when compassion, practicality, and persistence come together. It proved that community could be built not just with stone and mortar, but with hope, hard work, and shared purpose.

Today, Penn-Craft still stands as a rare and remarkably intact example of Depression-era community planning. Its stone houses line curving roads, its fields recall farming efforts, and some descendants of the original families still call it home. The former knitting factory building is now the Penn-Craft Community Center, which may be rented for private and community events.

“We are all part of a great experiment in the world of economics and human relations,” wrote project manager David Day in 1937.  Nearly ninety years later, Penn-Craft continues to prove that experiment a success.

References:

Orslene, Louis and Shearer, Susan. “National Register of Historic Places Nomination: Penn-Craft Historic District.” 1989.

U.S. Department of the Interior. National Park Service. “Historic American Buildings Survey – Subsistence-Homestead Towns, Penn-Craft, Fayette County, Pennsylvania. Written Historical and Architectural Data.” HABS No. PA-5919.

U.S. Department of the Interior. National Park Service. “Historic American Buildings Survey – Town of Penn-Craft, Fayette County, Pennsylvania. Photographs, Written Historical and Architectural Data.” HABS No. PA-5920.

The National Pike Trail is a developing multi-use trail that follows the historic route of the National Road through Washington County, Pennsylvania. It is currently about 2 miles long, but as it grows, this scenic corridor will connect communities like Claysville, West Alexander, and eventually the City of Washington, offering walkers, runners, and cyclists a safe, accessible path steeped in history.

A Shining Example

On Saturday, October 4th, 2025, community leaders, partners, and trail supporters gathered at Tunnel #3 along the National Pike Trail to celebrate the completion of the trail’s Solar Lighting Project, a milestone in improving both safety and visitor experience.

The lighting project was a true community collaboration between the National Pike Trail, Washington County Tourism, Lucas Electric, and Wilkie Contracting.

The 800-foot tunnel, originally constructed in the 1850s, now features 20 solar-powered LED fixtures illuminating its historic interior. Lucas Electric installed more than 1,200 feet of raceway, 7,000 feet of wiring, and secured over 800 fasteners, all with labor and equipment proudly donated by the company and its team of first responders.

Attendees included Commissioner Sherman, Casey Grealish and Janice Aide from Electra, Jason Theakston from the Washington County Planning Commission, Will Thomier and Dana Bucci from Tourism, Monica Babir and Josh Kail’s Aide, Rick Newton of CABA, Joe Lucas of Lucas Electric, Pastor Terry Teluch, Ned Williams, Dennis Dutton of the Tourism Board, and Sandy Griswald.

This project is a shining example of how local collaboration can quite literally brighten the path forward, enhancing the trail’s accessibility and celebrating Washington County’s proud heritage.

Take a Hike

Want to explore the newly brightened path?

Head to National Pike Trail Council – 4500 Donegal Ind Park, Claysville, PA 15323 for parking. Follow a pre-Civil War railroad line from the eastern edge of Claysville to Timber Lake Road. Pass through two arch tunnels and enjoy scenic views of the surrounding landscape. To hike the whole trail out and back is about 4 miles.

View the trail map on TrailLink or All Trails

Looking for a vintage spooky read to enjoy this season?

Author Helen Hoke (1903-1990) from California, Washington County, PA published horror anthologies that’ll give you the heebie-jeebies.

Helen Hoke’s Life & Career

Helen was the daughter of H.L. and Mary Lamb. Her father co-owned the California Sentinel newspaper along with his brother Auburn Lamb. As a child, Helen helped at the newspaper by setting type, and later wrote articles for the paper. 

In 1929, Helen opened a book department in a department store in Pittsburgh. Shortly thereafter, she headed another book department at Bullock’s department store in Los Angeles. In 1934, she became the director of the Julia Ellsworth Ford Foundation for Children’s Literature, a position she held until 1945. Julia Ford (1859-1950), an author and socialite, created the Foundation in 1924, which gave $2,000 for the best juvenile book of the year as well as produced movies for children. 

Spooky Anthologies

In the 1950s, Helen began to edit analogies, and her horror collections stand out as some of the earliest spooky anthologies created specifically with young readers in mind. They introduced generations of kids and teens to classic writers of the weird and uncanny—names like Lovecraft, Robert Bloch, Ray Bradbury, and August Derleth—through stories that were chilling but still accessible for school and library shelves. The repeated-title branding (Monsters, Monsters, Monsters; Terrors, Terrors, Terrors) became a hallmark of her editorial style, making them instantly recognizable to browsing readers.

Helen’s Impact

In total, she edited 29 anthologies of horror and supernatural stories for young adults. For many readers, her volumes served as a gateway into lifelong appreciation of horror and science fiction. They also played a quiet but important role in establishing horror as a legitimate category for young adult publishing, well before the boom of YA horror series in the 1980s and 1990s.

While Helen edited dozens of spooky anthologies, she also edited and wrote other types of stories. Examples include The Fuzzy Puppy (1954), Jokes, Riddles, Puns: the best of brief humor (1959), Patriotism, Patriotism, Patriotism (1963), Whales (1973), and Giants! Giants! Giants!: From many lands and many times (1980). When she passed in 1990, her obituary in the New York Times noted she had written nearly 100 books and ran children’s books divisions at five publishing companies.

Where to Find Books from Helen Hoke

 A few of her books are available in Washington County libraries, and some can be found online.

• Weirdies, Weirdies, Weirdies
• Creepies, Creepie, Creepies
• Devils, Devils, Devils 
• For a full list here’s her goodreads >>

Do you have any other local spooky authors we should highlight? Contact us or send a message on insta or facebook.

The National Road Heritage Corridor (NRHC) is proud to share a new logo design that honors the road that built a nation while pointing boldly toward the future of our region.

For more than three decades, NRHC has worked to protect, celebrate, and revitalize the communities, landscapes, and stories of the National Road. As our organization has grown to embrace cultural preservation, trails and outdoor recreation, riverfront revitalization, and community partnerships across Southwestern Pennsylvania, we felt it was time for our visual identity to evolve as well.

The new logo is filled with meaning drawn directly from the corridor:

• The blue roofline represents the Monongahela River and the broad skies of our landscape—symbols of renewal, resilience, and possibility.
• The golden rectangles echo the dashes on the National Road itself, grounding the design in the path that continues to connect our communities.
• The warm brick pattern reflects both the craftsmanship of our historic structures and the trails that now knit our towns, parks, and natural places together.

Together, these elements symbolize the building blocks of Place: our natural environment, built environment, cultural heritage, history and memory, community connections, and the meanings people attach to them.

This refreshed identity gives us a flexible, modern mark that still feels grounded in tradition. It reflects NRHC’s role as a place steward, weaving together past, present, and future; road and river; culture and nature. Our mission remains the same, but our look now better matches our energy, vision, and wide-ranging work.

You’ll begin seeing this logo across our programs, projects, and communications. From trail signage to community events, it will serve as a symbol of connection between people and landscapes, heritage and progress, memory and imagination.

We’re excited to carry this new look forward as we continue strengthening the National Road Heritage Corridor together.

PA Route 6 Takes the Crown in the Ultimate Road Trip Playlist Challenge – But the Real Winner is Pennsylvania

Over the last few weeks, three of Pennsylvania’s most historic roadways — PA Route 6, the Lincoln Highway, and the PA National Road — came together for something a little unexpected: a friendly playlist showdown.

The idea was simple: what if each corridor built a playlist that captured the sound of their region — the feel of the open road, the character of the towns, the history behind the landscapes?

The result was the Ultimate Road Trip Playlist Challenge, a first-of-its-kind collaboration between three Pennsylvania Heritage Areas. Together, we invited communities across the state to help shape playlists that honored the places we call home. Aaaand we got a little competitive.

While PA Route 6 came out on top (HUGE congratulations to them by the way!) the real achievement wasn’t about who “won.” It was about how music brought us together.

While our roads keep us connected from town to town, it’s music that keeps us connected from person to person.

Each playlist became a story of it’s own — a blend of local favorites, road trip classics, hidden gems, and homegrown pride. From bluegrass and folk to rock and soul, the submissions told stories far beyond what a brochure or historic marker ever could.

And behind it all was the collaboration.

This wasn’t just a competition between heritage corridors — it was a celebration of what our heritage areas share: a love for Pennsylvania’s communities, history, culture, and the things that keep us Pennsylvania.

So whether you’re winding through the northern hills of Route 6, tracing the early transcontinental path of the Lincoln Highway, or riding the legacy of America’s first federally funded road on the National Road — we hope you’ll press play and take the journey with us again. We’ll be sure to build more playlists for you to enjoy along the way. 

🎧 The playlists are still live. The music still matters. Rock on!
Keep listening. Keep exploring. And let the soundtrack of Pennsylvania stay with you, wherever you go.

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Get to know the Heritage Corridors of PA

Three officially designated Pennsylvania Heritage Areas have joined the challenge:

• PA Route 6 Heritage Corridor
  Stretching across the northern tier of the state, covering 11 counties,Route 6 offers all the best of PA’s scenic byways. Rural towns, bike ways and artist alleys are found along the stretch of road.
  
• The Lincoln Highway Heritage Corridor
  Running 200 miles through the south-central part of Pennsylvania, the Penn-Lincoln Highway is steeped in Americana, vintage roadside culture, and stories of innovation and industry.
  
• The National Road Heritage Corridor
  The National Road winds through PA’s southwestern counties including Fayette, Somerset, and Washington highlighting rich industrial and cultural history.